Stefan Joubert

About the author:

Stefan Joubert

Stefan Joubert is the director of the Paris Music Institute. He is passionate about music education for adults and believes that it is never too late to start learning a musical instrument.

Stefan Joubert

Articles by Stefan Joubert

13 articles

How to play by heart

In Antiquity, anatomical treatises considered the heart as the seat of emotions, passions, will, courage, but also of thought, intelligence, and memory. From the 13th century onwards, people learned and knew "by heart." The expression has endured through the centuries even though we have known for a relatively recent period that memory is a matter of the brain and not the heart.

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The guitar

The technical and historical aspects of the guitar are often overlooked by guitarists, yet I find it imperative to understand the theoretical foundations of the instrument one has decided to play. It is vital to grasp its mechanics and features at the point of purchase and for its long-term maintenance.

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The violin

This instrument holds a prominent place in Western classical music. It is considered one of the most popular instruments in the Western world!

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The Cello

The cello originated from the rebec (a small instrument from the Middle Ages) and then, in the 16th century, from the bass violin, which was larger than the cello. The size of this instrument underwent changes and gradually became larger, making it unplayable for the left hand as the finger spacing was no longer suitable.

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The differences between the cello and the viola da gamba

Contrary to popular belief, the viola da gamba is not the ancestor of the cello but rather a cousin. The emergence of the violin family is estimated to have occurred in the 1520s in Italy. The violin was initially intended for dances, ballets, balls, and festivities. In contrast, the viol family appeared in the 15th century, also in Italy, and spread throughout Europe under the name "vihuela de arco" (bowed viol) and was considered a noble instrument.

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The pizzicato technique

The earliest known references to the pizzicato technique can be found in Tobias Hume's collection "the first part of Ayres" (1605) (Souldiers and Hark, Hark), which requires the gambist to play a few notes in pizzicato, as well as in the madrigal "Clorinde et Tancrède", which instructs the musician to put aside his bow and pluck the strings with two fingers.

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Interview with Eliana, vocalist and teacher

Eliana has been immersed in music from a young age thanks to her father, who is a musician. At the age of 8, she joined a theater group and had her first experiences on stage as an actress. Later, she pursued training in musical theater. Today, she continues her music education in Paris while studying Hispanic-American literature at Sorbonne, using this cultural richness to inspire her compositions.

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